How to Paint Everything: Marvel Crisis Protocol - Blade

Hey everybody, welcome to another How to Paint Everything: Marvel Crisis Protocol. This time we will be taking a look at the Daywalker himself, the vampire hunter and Blade!

After his mother was killed by the vampire Deacon Frost, Eric Cross Brooks was born with "vampire enzymes". He would grow up to be a vampire hunter and eventually work alongside Quincy Harker, Rachel van Helsing and Frank Drake while they hunted Dracula himself. After a battle with Dracula, he realized he was immune to the effects of vampire bites and left the group to hunt down Deacon Frost. He would eventually team back up with Frank Drake, alongside Hannibal King to form the Nightstalkers.

Blade's miniature sports a lot of dark colors, I've tried to break it up a bit with different dark tones, without leaning into true black. The leather all features blue tones, the cloth leans more into dark grey and this time around I brightened up his skin tone a bit and added in purple and red tones. All of these things add visual interest to the model and keep it from becoming a blob of dark colors on the gaming table.

Let's get into it, below you'll find a handy paint chart showing all the colors that were used on Blade.

credit: Brushwizard

Skin

Basecoat - Citadel Mournfang Brown Shadows - Citadel Mournfang Brown: Citadel Xerxes Purple Warm Tones - Citadel Mournfang Brown: Wazdakka Red Layer - Citadel Mournfang Brown Highlight - Citadel Mournfang Brown: Citadel Bugman's Glow Highlight - Citadel Bugman's Glow Dark Lining - Citadel Rhinox Hide

Dark skin tones can be challenging. We don't want to paint the skin with only browns, instead we're going to inject some purple and red tones into the brown in order to make it more lively and interesting. To start, we will give the skin a basecoat of Mournfang Brown. I then mixed Xerxes Purple in and painted that in all of the shadows and the lower half of the face. On his forehead, nose, and cheeks, I painted a mix of Mournfang Brown and Wazdakka Red. I then went in with a thin layer of Mournfang Brown to help tie things together. From there, I mixed Bugman's Glow with Mournfang Brown to begin highlighting, followed by a final highlight of Bugman's Glow. To help add some definition, I used Rhinox hide in some recesses as well.

Hair

Basecoat - Citadel Rhinox Hide: Vallejo Model Color Black Grey Layer - Vallejo Model Color Black Highlight - Vallejo Model Color Black: AK Interactive French Blue Highlight - Vallejo Model Color Black: AK Interactive Snow Blue

His hair started with a basecoat of Rhinox Hide and Black Grey, I wanted the sides to look like they were buzzed and that skin tones were showing through. I then painted the main section of his hair Black and highlighted with a mix of Black and French Blue followed by another highlight of Black and Snow Blue.

Glasses

Frames - Vallejo Model Color Black Grey Frame Highlight - Vallejo Model Color Black Grey: Vallejo Model Color White

His glasses were painted Black Grey and given a small highlight of Black Grey mixed with White.

Lenses - Army Painter Emerald Forest Lens Highlight - Army Painter Leafy Green Lens Highlight - Vallejo Model Color White

I don't usually do much in the way of object source lighting on my Crisis Protocol miniatures, but I did feel like it would be fun to have the glasses reflecting the green ghost smoke. I started with a basecoat of Emerald Forest, followed by highlights of Leafy Green, and White. I think it works out pretty well and it helps draw the eye to his face.

Black Leather

Basecoat - Vallejo Model Color Black: AK Interactive Dark Sea Blue Layer - Previous Mix: AK Interactive French Blue Highlight - Previous Mix: AK Interactive Snow Blue Highlight - Previous Mix: AK Interactive Ivory Highlight - Vallejo Model Color White

All of the black leather that he is wearing, such as his boots and coat, were painted with a basecoat of Black and Dark Sea Blue. I then mixed in French Blue to build up the color. From there I cont inued using the previous mix and added Snow Blue for the first highlight, followed by adding in Ivory to the mix for another highlight and finally finishing it off with White spot highlights.

Black Cloth

Basecoat - Vallejo Model Color Black Grey Layer - Vallejo Model Color Black Grey: AK Interactive French Blue Layer - Previous Mix: AK Interactive French Blue Highlight - AK Interactive French Blue

We are still going to keep away from true black. With this in mind, the black clothing was painted with a basecoat of Black Grey and then highlighted from there. I also doing highlight all the way to white, which helps keep the cloth from seeming reflective.

From a basecoat of Black Grey, I then mixed Black Grey and French Blue for the first layer, and painted that on any areas where the light would hit, or on the raised surfaces of the folds in the fabric. I then added additional French Blue to previous mix and added another layer. I finished the cloth off with a highlight of French Blue on the ridges and highest points of the cloth.

Coat Interior

Basecoat - Citadel Mephiston Red Shadow - Citadel Mephiston Red: Army Painter Emerald Forest Clean Up - Citadel Mephiston Red Layer - Citadel Evil Sunz Scarlet Highlight - Citadel Wild Rider Red

The interior of his coat started with a basecoat of Mephiston Red. I then mixed Emerald Forest green into Mephiston Red to create the shadow color - if you don't have that color, I've also used Warpstone Glow green previously. Paint this mix into all of the recesses of the folds. If needed, clean up the raised areas with Mephiston Red again and then you can start highlighting. This was done with a layer of Evil Sunz Scarlet followed by a highlight of Wild Rider Red.

Metal Armor

Basecoat - Vallejo Model Color Black Grey Layer - AK Interactive French Blue Highlight - AK Interactive Snow Blue Highlight - Vallejo Model Color White Red Accents - Citadel Evil Sunz Scarlet Red Accent Highlight - Citadel Wild Rider Red

I wanted his breastplate to be a bit darker than I would normally paint metal, so I started with a base coat of Black Grey. I layered on French Blue as normal and then highlighted it with Snow Blue and White. To finish it off and make it more interesting, I added in some red accents using Evil Sunz Scarlet, which was then highlighted with Wild Rider Red. The knee pads were painted with the same colors, only without the red accents.

Sword Blades

Basecoat - AK Interactive Dark Sea Blue Layer - AK Interactive Dark Sea Blue: AK Interactive French Blue Layer - AK Interactive French Blue Layer - AK Interactive French Blue: AK Interactive Snow Blue Highlight - AK Interactive Snow Blue Highlight - AK Interactive Ivory Highlight - Vallejo Model Color White

The katanas needed to be slightly different when compared to the breastplate, so for on these I started with a basecoat of Dark Sea Blue. I had thought about adding green tones into them from the spirit effect, but decided against it, because I didn't want to go overboard on object source lighting. Once the Dark Sea Blue was down, I added layers of French Blue to it, blending it into the darker color. I mixed together French Blue and Snow Blue and worked that in, blending it to the pure French Blue layer. I then began highlighting it with Snow Blue, Ivory and White to brighten it up and add in reflections.

Gold

Basecoat - AK Interactive Sahara Yellow Layer - AK Interactive Sand Yellow Highlight - AK Interactive Ivory

I went for a fairly simple NMM gold on the sword hand guards. This time around I started with a basecoat of Sahara Yellow, followed by a layer of Sand Yellow and finally a highlight of Ivory to finish it off.

Spirit Effect

Basecoat - Army Painter Rainforest Layer - Army Painter Rainforest: Lethal Shadows Fluorescent Green Layer - Previous Mix: Lethal Shadows Fluorescent Yellow Layer - Phalanx Yellow: Lethal Shadows Fluorescent Yellow Highlight - Lethal Shadows Fluorescent Yellow Highlight - Vallejo Model Color White

I wanted a very bright and vibrant spell effect for Blade. I decided to start with a green base using Rainforest, I did a few layers of this to make the next step easier on myself. I then mixed Fluorescent Green into Rainforest and painted multiple layers overtop the pure Rainforest layer, this time making sure I had even coverage. To brighten it up more, I added Fluorescent Yellow to my previous mix and layered that on, leaving the Rainforest/Fluor Green mix in the recesses. Next up I mixed Phalanx Yellow with Fluorescent Yellow and painted this in thin layers, reinforcing the previous layer. I then highlighted with pure Fluorescent Yellow and White to finish it off.

credit: Brushwizard

That should do it for Blade! He's now ready to lead the Midnight Sons into the night and vanquish vampire-kind and other supernatural threats from the streets.

Thanks to Atomic Mass Games for providing me with the Midnight Sons Affiliation Pack, stay tuned for more How To Paint Everything articles featuring the other models in the box. The Midnight Sons Affiliation Pack is now available in stores, make sure to check your friendly local gaming shop or you can also order it directly from Asmodee’s webstore.

Have you painted up Blade using this article? As always, hit me up on the socials, you can find me over on Bluesky and Instagram, I love seeing what the community is working on and try to share what I see whenever possible. If you're a member of the Goonhammer Discord server, be sure to share them on the Marvel: Crisis Protocol channel there as well.

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Tags: tutorial | How to Paint Everything | Crisis Protocol | blade | Midnight Sons